{"id":209,"date":"2013-07-11T15:13:55","date_gmt":"2013-07-11T15:13:55","guid":{"rendered":"http:\/\/thejazzexpressions.afmadlib.com\/?page_id=209"},"modified":"2022-09-30T20:40:55","modified_gmt":"2022-09-30T20:40:55","slug":"negro-spirituals-performance","status":"publish","type":"page","link":"https:\/\/hilliardgreene.com\/index.php\/negro-spirituals-performance\/","title":{"rendered":"Negro Spirituals Performance"},"content":{"rendered":"

Negro Spirituals Performance <\/strong>featuring a musical project entitled \u201cMilestone Negro Spirituals Until The Civil War: When folksongs bring freedom.”
\n<\/strong>A performance\/workshop in words and music associated with the Underground Railroad\u201d during BLACK HISTORY MONTH<\/p>\n

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WHAT THE CRITICS SAY:<\/strong><\/p>\n

\u201c\u2026Greene can keep the listener interested \u2013 very interested \u2013 for upwards of an hour, all by himself. His new album, \u201cAlone,\u201d is a riveting hour plus of material, mostly originals, that stand up well as melodic compositions played with passionate dedication. There is a wide range of styles and forms, and there is no risk of boredom among the eight tunes.\u201d<\/strong><\/p>\n

-Steve Greenlee, Boston Globe<\/strong><\/p>\n

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\u201cBesides the exciting moving music, there is the amazement of the man\u2019s technique. He is a real virtuoso. Hearing this album, we can all say we could just never have                                            imagined the bass as a solo instrument that is wholly absorbing…\u201d                                                                                                     <\/strong><\/p>\n

– James Forte, Wildflower Publishers<\/strong><\/p>\n

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\u201cFor many decades the bass has ceased to be looked at as an accompaniment instrument entirely. At the same time, very few musicians dare to release solo bass recordings. Bassists like Dave Holland, Eberhard Weber, Barre Phillips and Miroslav Vitous have done that very successfully. Among those, we can add the name Hill Greene with his solo bass recording entitled \u201cAlone\u201d. \u2026 Even though the unique virtuosity of Hill Greene can capture the mind of the listener, what really sets him apart is his musicality, passion, and dedication to the art.\u201d <\/strong><\/p>\n

– Vangelis Aragiannis, Ipirotikos Agon \u2013 Athens, Greece<\/strong><\/p>\n

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 \u201cHill Greene created a resonating musicality, with full focus and emotional pathos… \u201cThe audience was still and enraptured, as Hill Greene is a musician to watch, as well as one to listen to.\u201d\u2026  Hill Greene has a bright future as Solo Bassist, Composer, Accompanist, and Music Director.\u201d<\/strong><\/p>\n

— Roberta Zlokower, <\/strong>RobertaOnTheArts.com<\/strong><\/p>\n

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 translation by Fernando Hernandez-Moros<\/strong><\/p>\n

Greene, a bass concert player. Very good (4 stars)<\/strong><\/p>\n

Hilliard Greene is an expressive double-bass player with a solid technique\u2026Greene made of his show at Notorious a concert of refreshing features, with fiery solos developed in an explosive way at times, \u2026 His double-bass has the sonority like a guitar and continuity in his lines that seem to be pianistically inspired\u2026A Strong presence\u2026<\/strong><\/p>\n

\u2026 His language has in a way, a classical vocabulary that is at the same time deeply tied to the blues. There is in his music a strong conscience of the black tradition\u2026<\/strong><\/p>\n

Cesar Pardines – La Nacion; Buenos Aries, Argentina<\/strong><\/p>\n

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  <\/strong>\u201c…Hilliard Greene…can sound like a flamenco guitar one moment and a wailing horn the next\u201d <\/strong><\/p>\n

-Misha Berson, Seattle Times<\/strong><\/p>\n

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\u2026found a copy of your solo CD.  I’ve been listening to it a great deal.  It’s exceptional, easily one of the best crafted solo bass CDs I’ve heard.  <\/strong><\/p>\n

Lou Kannenstine \u2013 Boxholder Records<\/strong><\/p>\n

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   \u201c…(Greene\u2019s) work on the upright bass was diverse and committed. On the funk grooves, generally associated with the electric bass guitar, he was convincingly adept, wielding the larger instrument with ease.  His solos, whether arco or pizzicato, used the full potential of the instrument, including choral effects and contrivances.\u201d<\/strong><\/p>\n

-Richard Mayer, Green Mountain Jazz Messenger  <\/strong><\/p>\n

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   \u201cIntense. Powerful. Versatile. Not for the faint-hearted. …Hill Greene showed us how it\u2019s done\u201d<\/strong><\/p>\n

-Bass World, Journal for the International Society of Bassists<\/strong><\/p>\n

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\u201cWith a technical mastery of his instrument that is nothing short of astonishing he churned through a varied and creative set full of fire, brilliance, and subtlety that above all never stopped swinging. <\/strong><\/p>\n

-Bobby Shropshire, Beach Nights Entertainment Magazine \u2013 Myrtle Beach, South Carolina<\/strong><\/p>\n

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\u201cTechnically and sonically, Greene\u2019s bass sounds great; his pitch is accurate even during highly technical passages played at breakneck speed, and his sound is deep and clean.\u201d<\/strong><\/p>\n

-John Kennedy \u2013 Double Bassist Magazine <\/strong><\/p>\n

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Green showcases a tone as big and solid as an ancient tree, <\/strong><\/p>\n

— John Chacona, goerie.com Showcase<\/strong><\/p>\n

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“His fabulous arco bass mixes lyricism with a burning, literally ferocious desire of opening the listener’s mind.” <\/strong><\/p>\n

 <\/strong>– Massimo Ricci, Touching Extremes, Italy,<\/strong><\/p>\n

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“Alone sounds like the culmination of one man’s dedication to his instrument, the work of someone who has come a long way, and is determined to show what he can do.  Classical melodies, Jazz and Folk music from around the world have been internalized by Greene who proves his talent for pizzicato and arco playing in an equal measure on unaccompanied double bass…Alone is music rooted in the human condition.”<\/strong><\/p>\n

Jeff Stockton – All About Jazz<\/strong><\/p>\n

 
\nCoded Negro Spiritual Performance – Brooklyn Public Library
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